An exhibition curated by Joana Joachim
online as of October 7, 2021
Blackity delineates the trajectory of contemporary Black Canadian art as witnessed by Artexte’s collection between the 1970s and the 2010s. The exhibition gathers some key moments and people to consider the thematic, aesthetic or conceptual threads linking them. By placing these documents in relation to one another, curator Joana Joachim begins to trace a temporal cartography of Black Canadian art history.
The exhibition was on view at Artexte from September 23rd, 2021 to June 23rd, 2022, but its digital space is still accessible online. This virtual component of Blackity is conceptualized as a companion to the physical exhibition to provide a glimpse into the Black Canadian art milieu beyond the borders of Artexte’s collection.
The vertical bands seen throughout the exhibition are a visualization of data pulled from e-Artexte. The upward motion of the disconnected stripes emphasize the fragmentary nature of this history echoing the trends around documenting Black Canadian art practices. Thinner bands represent a small number of documents during a certain time period in the collection whereas thicker ones represent an abundance of information. The digital exhibition includes audio clips from the curator as well as short notes and expanded annotations nodding to various people, projects, documents and videos from outside the Artexte collection.
– Joana Joachim, curator
Visit Blackity online HERE
Dr. Joana Joachim is Assistant Professor in Black Studies in Art Education, Art History and Social Justice at Concordia University’s Faculty of Fine Arts. Her research and teaching interests include Black feminist art histories, Black diasporic art histories, critical museologies, Black Canadian studies, and Canadian slavery studies. Her SSHRC-funded doctoral work, There/Then, Here/Now: Black Women’s Hair and Dress in the French Empire, examined the visual culture of Black women’s hair and dress in the seventeenth and eighteenth centuries, investigating practices of self-preservation and self-care through the lens of creolization as well as historical and contemporary art practices. She earned her PhD in the department of Art History and Communication Studies and at the Institute for Gender, Sexuality and Feminist Studies at McGill University working under the supervision of Dr. Charmaine A. Nelson. In 2020 she was appointed as a McGill Provostial Postdoctoral Research Scholar in Institutional Histories, Slavery and Colonialism.