Considering the meeting between performance and writing as an extended form, the performances presented by An Annotated Bibliography aimed to reveal the different mechanisms at work in the creation of knowledge and discourse. The Place Publique offered the opportunity to activate the margins of archival work and the annotated bibliography, behind which lies the accumulation of human and artistic trajectories through which performance takes shape over time. Sophie Castonguay and Francys Chenier, were invited to develop performative interventions that reflect how gestures and personal narratives participate in the writing of the performance, in close relation to the different relational and performative forms of storytelling, fiction, poetry, and oral history.
